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Commission – Madeline

I’m a wee bit behind on showing off my commissions, so here’s an update.

Madeline hand embroidery - Misericordia 2014

I really enjoyed this one, although it was meant to be ‘just a simple design’ it turned into quite a lot of stitching!

Madeline hand embroidery - Misericordia 2014

I do love a cherry blossom, Edinburgh is particularly blessed with rows and rows of trees (including one poor confused tree in the Meadows which always flowers on its own and at very strange times of the year).

Madeline hand embroidery - Misericordia 2014

Blossom trees always remind me of both Japanese and French Impressionist art, so I thought they would give a suitably Parisian flavour.

Almond Blossoms - Vincent Van Gogh 1890

Almond Blossoms – Vincent Van Gogh 1890

It’s not until I went to look for an image for this post that I realised how much I must have been holding that Van Gogh in my mind. There you are, another reason to expose small children to works of art.

An Organised Life from The Gift Shed

If you have been following this blog for any length of time, you’ll know that Emma at The Gift Shed is a regular provider of notebooks, link-er to interesting articles and commenter. In addition to her paper-wizardry, Emma also runs a gardening business, and when I found myself particularly swamped running Misericordia and Killer Pilates, I asked Emma for some advice.

She very kindly sent me a very useful email and then followed it up with a guest blog post with lots of lovely tips for people running too many businesses or who are just looking for better organisational living.

I’ve popped in a few photos here and there, but I’ll hand you over to Emma for the really useful stuff:

Back in October (yes, October) Katy asked me if I had any advice on running two businesses without losing my mind. Apparently my advice was helpful because she then asked me if I’d write a guest post about it.

Life got a bit hectic here (new dog, major building work to our house…) and I clean forgot about it until she reminded me at the end of March. So here we are, almost at the end of April, and I’m finally getting around to putting some advice down on paper. I’ll be honest, I’d have forgotten again (because it wasn’t on my list – this is very important) if another friend hadn’t asked me for some time management tips.

Truth be told I’m not naturally an organised person. My default state is to gently drift through life, littering my path with things that I’ve not got round to tidying away. However I learned very early on that this was no way to live, and certainly no way to run a business (let alone two), so I made changes to the way that I think.

That’s all it is really, altering the way you approach things. The friend who recently asked for time management advice said “It’s anathema to me. Always has been but getting pissed off with being caught out by it! Giving myself a hard time and still getting nothing done!”

So this article is more focused on time management in general than aimed specifically at running two businesses successfully, but the two go very much hand in hand.

Let’s leap straight in with a list of key points, which are here in no particular order.

  1. Make a list. I love making lists, and there’s something very satisfying about crossing things off a list as they get done. I don’t seem to get as much done if I don’t have a list, it really does help me to stay focused.

    to do

  2. Give yourself easy wins. Don’t just put “clean the house” or “sort out the filing” – if you know a task is big or time consuming (and thus, usually, undesirable) then break it down into smaller chunks. So “clean the house” can be divided up by room or by type (“vacuuming” “dusting” etc.), and “sort out the filing” can be done by month instead. If you’re able to check things off at regular intervals then you’ll feel better about it. It’s a con, but it works.
  3. Be realistic. Sometimes there’s an almost endless list of things that need to be done. If you have a lot to do then just accept that you won’t get it all done, and stop worrying about it. This goes back to the easy win strategy. Prioritise a few things and get those done, and then anything else is a bonus. I believe that we put unnecessary strain on ourselves by trying to live up to the idea that everything has to be done right now.
  4. Learn to say no. Really, this is quite a big one and I have taught myself to say no due because of work, but it applies just as much at home. If you’re good at your job then you will be in demand – but if you half kill yourself trying to fit too much in then you’ll end up resenting your work, and there’s also a fair chance that you’ll end up being not so good at what you do because you’re cutting corners trying to fit everything in.

    I split my time between garden maintenance and working in my studio. For me this works best if I have a small number of regular gardening clients (and thus a regular income which I can budget around), and I can then take on one-off jobs if they come up and it fits in with my existing work.

    I’m not looking to take on any more regular clients at the moment, so no matter how tempting they sound I simply say no. I could fit more work in, but it would cut into my studio time, and that’s just not acceptable to me. Or I could fit the work in without sacrificing time in the studio but would end up with little leisure time. Also unacceptable. This goes back to the point about being realistic.

  5. Multitask. It sounds obvious, but you’d be surprised at how many people don’t make the most of their time. Most tasks have dead time, when you’re basically waiting for something to happen, so use that time. If I’m waiting for the kettle to boil then I’ll do something else while I’m waiting – if it’s just putting some dishes away then so be it, that’s one less thing to do later.

    When I go down to the studio in the morning it takes five minutes for the computer to boot up and for the light to get properly bright, so I go in and switch everything on and then go out to the garden and water some pots. If I’m going out to walk the dog I’ll take a bag of rubbish (or even just a couple of bottles for recycling) down with me. If I’m going from the sitting room to the kitchen then I pick up any mugs or glasses and take them through with me. This all sounds patently obvious to me (and possibly to you, too), but apparently not everyone does this. I do it on autopilot, if I’m getting up to do something then part of me thinks “ok, I’m going in that direction, is there anything I can take with me?” – no journey is wasted! It has to be said that this habit partly evolved through laziness…why make three separate trips upstairs when I can just make one?

    I multitask in other ways too, the main one being that I knit/crochet/embroider/blog while watching television. This allows me to get in some leisure craft time while still unwinding in front of a show, and also stops me falling asleep while watching.

  6. Scheduling. I don’t think this is the best word to describe this bit, but I couldn’t think of anything better. As I run two businesses, and I work for myself, it’s entirely up to me when I go to work. Over the past year or so I’ve tried to work week on/week off. Which means that I’ll see all my garden clients one week and then have the following week in the studio. Of course it doesn’t always work out quite like that (the wonderful British weather can play havoc!), but it does mean that I have breathing room and am still able to comfortably split my time between my two jobs.

    If I have appointments for non-work things then I’ll try and book them all for the same day, even if that means waiting a while, as it’s more efficient to write off a whole day than to give up two or three mornings/afternoons for separate appointments.

    On the domestic front I also tend to spend a whole morning or afternoon batch cooking things that I can freeze and then just stick in the oven as needed. It might sounds like a lot of time to spend cooking, but it takes pretty much the same amount of time to make a huge batch of pasta sauce (or a pie, or gumbo, etc.) as it does to make enough for one meal, so why not just make a few things at once and get it over and done with. I certainly enjoy meals a lot more when I can just put them in to heat up rather than having to slave over them after a busy day at work, and overall it saves me a lot of time.

I’m trying to think of other examples which might be helpful, but actually I’m struggling because the way you manage your own time is very personal. If you’re really struggling to think where you could save time then make a list (ha!) for a few days detailing what exactly it is you do. List everything, no matter how insignificant you think it is, then look back at the list at the end of the day and see if there are things you could have combined in order to free up time.

My life since November has been very different as we now have a dog, and thus my usual habits are having to be adjusted to accommodate his needs as well as mine. It’s working out well though, and we’re just about into a regular routine. I also had two months when it was almost impossible to do because major work was taking place in my house and half my things were in storage, but I just accepted that and thought of it as a two month hiatus. I spent a lot of that time thinking of ideas and planning projects for later this year (and when I did manage to get some work done in my studio I considered it a happy bonus!). If I had worried about getting lots done while the builders were here then I’d have driven myself mad with stress, but being realistic about it made the whole thing much easier.

So there you have it, my tips for coping when you’ve got too much on your plate. Not the most well-written thing I’ve ever produced, but I’ve really found it quite difficult to put onto paper that which I do on autopilot. I hope you’ll find it useful.

Thanks Emma! Let me know how to get on with these, I’m trying to embrace batch cooking (The aftermath of my Week 1 attempt being shown above – along with the pride of my heart, my chip paper spoon rest) and being realistic. If you have any other useful tips we’d love to have them in the comments!

A Little Change of Focus

As I mentioned in my earlier post, I run two businesses – Misericordia and Killer Pilates.

They both have little seasonal variations which peak nicely at different times of the year.

PhD Comics – Jorge Cham

 

Last year, I completed my Studio Equipment training and its about time for me to take my exam.

pilates 1

So for the next month or two, I’m going to have to put the threads to one side in favour of springs, anatomy books and spiky balls.

I’m planning to post about once a week, to keep my hand (and sanity) in and there may even be some more guest posts!

1000 French Knots

Safety in Numbers

I thought I ought to inaugurate my return from holiday by helping someone else complete a project.

I picked up a tweet while I was away which pointed me to this post on artist Lisa Solomon’s blog.

Her work explores ideas of repetition and collaborative effort, for instance this piece where participants contributed 1000 crocheted doilies.

1000 doilies :: 8000 pins :: 100 colors of thread :: me + approx 45 women all over the world crocheted the doilies :: me + 6 helpers installed the doilies :: 4 days :: 1 wall :: 1 art piece for “sen” at Fouladi Projects.

 

The piece that caught my eye looks at the Japanese (get the feeling there’s a bit of a theme here?) good luck amulet senninbari, a belt which was embroidered with 1000 knots. Each knot was meant to be stitched by a different woman. The symbolism seems to come both from the number 1000 and various other plays on words which derived from the addition of coins stitched into the belts as well as the text or images of tigers created by the knots. For much more information, see here.

1000knots stitching

I’ve submitted my contribution – you have until June to submit yours (allow time to post to the States).

If the thought of french knots (you only have to do between one and ten) makes you break out in a cold sweat, you could contribute a drawing of a doily instead. There are details here and here.

I’ll keep you posted on the piece, it should be very interesting.

Borrow, Don’t Buy

As I was completing my weekly charity shop rounds, I was thinking about the difference between owning and borrowing.

Does it matter whether our possession of things is permanent or would being able to use a thing when we need it be just as good? Of course, there are practical limitations of this theory – I think sole ownership of my undies is pretty unbeatable but I’d be happy to share cake tins or turkey lifters.

cake

I haven’t tried to keep track, but there’s a fairly constant flow of things to and from the local charity shops and my house. I don’t object to it at all, in fact I rather like the impermanence of the purchase, but there are still some things that I can’t justify the houseroom for the frequency I use them or things I love too much to get rid of but would happily allow someone else to use in the intervals when I don’t need them.

noodles

For instance, we made pasta last weekend, but it’s certainly been at least three years since we’ve touched our pasta machine and I’m sure someone within a five mile radius of me has sighed to themselves over their lack of pasta-manufacturing equipment.

Enter this rather charming idea from Berlin:

The Leila project, billed as a 'library of things' Photograph: Christian Jungeblodt via The Guardian

The Leila project, billed as a ‘library of things’Photograph: Christian Jungeblodt via The Guardian

The Leila project allows people to drop off things they don’t use all the time and borrow the things they do need. Click the photo above for The Guardian article, or try here for a BBC video tour.

What would you borrow or lend?

 

Humade New Kintsugi Repair Kit Review

In which the artist ponders the nature of imperfection

Oh my dears, it’s been a staggeringly disorganised April.

Nothing too dreadful, but between chicken pox and a long-awaited holiday I didn’t get much of anything on my list finished.

We did have a perfectly spiffing time learning about dinosaurs (oh so many dinosaurs), hiding the afikomen (I was so successful that I just received an email from my dad asking where it was because he was worried about ants finding it before he did) and getting out of Dragon’s way so he and his grandparents could have popcorn parties (the fact that we happened to go to the cinema and ballet was entirely by the by, you understand) but my best laid plans of scheduling all my blog posts before I left didn’t really pan out.

So here’s the final installment of the Humade New Kintsugi Repair Kit experiment as well as a hope that May will be more organised. There’s an introduction to the concepts of kintsugi and wabi sabi here, and you can buy a kit of your own from Humade here.

Humade New Kintsugi Repair Kit Review

I like to consider myself good at directions – I read them, I absorb them and I sometimes choose to ignore them but I prefer to do so on an informed basis.

There were two sides of the instruction manual which came with the kit, one side were the technical specifications of the various glues and epoxies and the other was an illustrated guide to the process.

I skimmed the technical sides, mainly for information about clean up and safety warnings. Then I got my pot shards out and, with the illustrated side out for reference, I began.

For a while it all seemed to be going very well, I got a few large pieces together and I was just waiting for the ‘few minutes’ it took for them to set before I was going to get started on the next pieces. There was even time for the Lovely Young Man and sometime photographic assistant to take some photos of me at work.

Then it fell apart – rather literally. On further examination of the difficulties, it appears that by ‘a few minutes’ (lovely illustrated instructions) they meant ’20 minutes. Curing time 1 hour’ (technical specifications). Deep breath, change of plan from an afternoon’s diversion to a half an hour every day until it was finished or I threw it across the room.

Another of the directions that gave me problems turned out to be the very first one where it said to ‘add a tiny hint of goldpowder and mix well.’ Those of you with a scientific bent will appreciate that a hint is not an easily defined measurement, nor do the directions tell you why it is only to be a hint. I had considered several reasons – economic, ease of clean up, ensuring that the powder lasted the same length of time as the tube of epoxy and probably a few more. What I hadn’t considered was that the powder keeps the glue from setting, allowing your pieces to break apart after 25 minutes of patient holding.

By now, there was pretty much nothing left that could go wrong… well, except for the vial that contained the steel powder cross-threading every time you closed it, so that when you opened it again, large quantities of minute steel dust covered everything within a 100 metre radius, any excess drips of epoxy tended to remove the glaze on the pot when removed and that the imperfect elements of kintsugi were vastly outnumbering the beautiful and I was starting to wonder why we hadn’t  just superglued it together in the first place.

In the end, I don’t really know how I feel about the whole experience. I’m really disappointed in the process (and I’m a process artist so that really matters to me), I wish I’d practiced on something less precious before I started and since I haven’t had a chance to spend any time with the finished piece (flights to be caught and all that)  I’m swinging wildly between operator error and the instructions and materials being the main point of failure.

There’s a lesson in that somewhere about how life isn’t required to provide complete resolutions, but I’m not sure I’m ready to absorb it yet.

 

Eco-friendly Orange Peel Firelighters

Orange peel firelighters - Misericordia 2014

I’m not too sure if this is the right time of year for this tutorial, sandwiched uncomfortably in the painful gap between roaring-fire season and barbeque season, but I think there is still enough citrus fruit in the shops to make it work.

My brother- and sister-in law showed me this trick over the winter and we’ve been using it with great effect (both for our fire and our Vitamin C levels). Since we all love anything eco-friendly, waste-reducing and above all flammable, I thought you might like to join in!

orange

It’s hardly rocket science, peel an orange, satsuma or other citrus fruit (I’ve only tried the orange coloured ones, but I suspect that as long as there’s enough oil in the peel to do the trick below, any citrus fruit will do) peel it and let the peel dry. The peels have quite a lot of moisture, so let them dry in the open somewhere until they’re britttle before putting them into a container (loosely covered if at all) to store.

If you want to muck about further demonstrate the flammable nature of citrus oils, here’s an entertaining trick. Please use all sensible precautions against setting your hair, tablecloth or dining companions alight.

[cvg-video videoId=’1′ width=’400′ height=’400′ mode=’playlist’ /]

These firelighters are a nice intermediate step between paper and kindling, they don’t light with a match, but the entertaining fizz they make really helps the first small pieces catch, in addition to their entertainment value.

Let me know how you get on with them, and especially if you feel that my directorial debut needs to be the start of more video posts!

Embracing Imperfection

Does anyone fancy a little Japanese philosophy in two parts? I knew you did…

If you’re in to the handmade (or computer programming), you might be aware of the concept of wabi-sabi – a term that encompasses the beauty of transient or imperfect things.

bowl

As a maker it means that my best doesn’t always mean flawless or entirely regular and the places where the human-ness of the process shows through do not require an apology.

In the programming world, wabi-sabi has come to be represented by the phrase ‘done is better than perfect’ (an axiom I am also trying to embrace in all aspects of my life).

Kintsugi calls on a similar resolve to embrace the entirety of an object, including any flaws or breakages. In this technique, broken ceramics are repaired with precious metals both to

shells

‘keep[ing] an object around even after it has been broken, and […] highlight[ing] the cracks and repairs as simply an event in the life of an object.’ Wikipedia

My next post will be about putting kintsugi into action, so stay tuned!

humade kintsugi kit

House Book by The Gift Shed

My dears I am entirely mortified, I have just been having a tidy-out of my blog posts and discovered that I started and never finished the following, my sincere apologies to you and Emma!

They say that an important thing about creativity is having good habits, well here is mine:

I distinctly remember thinking (after I said yes), when the Lovely Young Man proposed – ‘Oh good, now I can buy a sketchbook.’ (In fact, there were many more than that, one for the event, one for the dress, one for each bridesmaid and one for the huppah.)

wedding books

I don’t feel I can get going properly unless I have a dedicated book to collect things in. This has been a little altered by the invention of Pinterest, but I still need to put pen to paper in order to think clearly. (About 80% of my blog posts are written out long hand before being typed up, I’ve always just thought better while I form letters.)

When we decided to get our kitchen done it was apparent that a sketchbook was in order. Luckily, I have a bookbinder (Emma) on hand for just such eventualities and we had a chat about what I wanted. I even managed to dig out a drawing I’d done to grace the cover! (I thought I had a fork drawing but I could only find a key, so it’s a House Book now.)

house tools

It’s a gorgeous book, it feels very nice in the hand and the paper is very fountain pen-friendly, I’ve got plenty of ideas to go in it.

house book

You can read Emma’s post about the book and see photos of it in progress here!

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