Category: Uncategorized

Tin Type Adventures

It’s been a long time since we’ve had a photographic post, but I’ve been inspired by these gorgeous tin types, so here we go.

David Emmit Adams works in traditional photographic media (paper negatives and wet plate collodion) and uses the fact that these processes allow you to expose directly onto the display surface rather than projecting an image to make a final print.

I found (via Poppytalk) the series called Conversations with History which uses discarded tins as a base for images of the desert in which they were found.

Shadow with Cans - David Emmit Adams

Shadow with Cans – David Emmit Adams

Here are some of the images created on surface of the tins, which have been pre-exposed, giving them the

[This] rich patina is the evidence of light and time, the two main components inherent in the very nature of photography.

Traces - David Emmit Adams

Traces – David Emmit Adams

Traces - David Emitt Adams

Traces – David Emitt Adams

I can’t urge you enough to check out Adams’ website, there are whole other bodies of work which I could blog about, but I’ll let you discover them on your own because I have another photographer to tell you about!

Ed Drew took the first tin types in a combat zone since the American Civil War as a reservist on  duty during his BFA.

Ed Drew - Afghanistan, Combat Zone

Ed Drew – Afghanistan, Combat Zone

Oh those wrinkled edges, streaks and bubbles…

Ed Drew - Afghanistan, Combat Zone

Ed Drew – Afghanistan, Combat Zone

They make me go a bit wibbly, gorgeous!

Afghanistan, Combat Zone

Ed Drew – Afghanistan, Combat Zone

(via Petapixel)

An Organised Life from The Gift Shed

If you have been following this blog for any length of time, you’ll know that Emma at The Gift Shed is a regular provider of notebooks, link-er to interesting articles and commenter. In addition to her paper-wizardry, Emma also runs a gardening business, and when I found myself particularly swamped running Misericordia and Killer Pilates, I asked Emma for some advice.

She very kindly sent me a very useful email and then followed it up with a guest blog post with lots of lovely tips for people running too many businesses or who are just looking for better organisational living.

I’ve popped in a few photos here and there, but I’ll hand you over to Emma for the really useful stuff:

Back in October (yes, October) Katy asked me if I had any advice on running two businesses without losing my mind. Apparently my advice was helpful because she then asked me if I’d write a guest post about it.

Life got a bit hectic here (new dog, major building work to our house…) and I clean forgot about it until she reminded me at the end of March. So here we are, almost at the end of April, and I’m finally getting around to putting some advice down on paper. I’ll be honest, I’d have forgotten again (because it wasn’t on my list – this is very important) if another friend hadn’t asked me for some time management tips.

Truth be told I’m not naturally an organised person. My default state is to gently drift through life, littering my path with things that I’ve not got round to tidying away. However I learned very early on that this was no way to live, and certainly no way to run a business (let alone two), so I made changes to the way that I think.

That’s all it is really, altering the way you approach things. The friend who recently asked for time management advice said “It’s anathema to me. Always has been but getting pissed off with being caught out by it! Giving myself a hard time and still getting nothing done!”

So this article is more focused on time management in general than aimed specifically at running two businesses successfully, but the two go very much hand in hand.

Let’s leap straight in with a list of key points, which are here in no particular order.

  1. Make a list. I love making lists, and there’s something very satisfying about crossing things off a list as they get done. I don’t seem to get as much done if I don’t have a list, it really does help me to stay focused.

    to do

  2. Give yourself easy wins. Don’t just put “clean the house” or “sort out the filing” – if you know a task is big or time consuming (and thus, usually, undesirable) then break it down into smaller chunks. So “clean the house” can be divided up by room or by type (“vacuuming” “dusting” etc.), and “sort out the filing” can be done by month instead. If you’re able to check things off at regular intervals then you’ll feel better about it. It’s a con, but it works.
  3. Be realistic. Sometimes there’s an almost endless list of things that need to be done. If you have a lot to do then just accept that you won’t get it all done, and stop worrying about it. This goes back to the easy win strategy. Prioritise a few things and get those done, and then anything else is a bonus. I believe that we put unnecessary strain on ourselves by trying to live up to the idea that everything has to be done right now.
  4. Learn to say no. Really, this is quite a big one and I have taught myself to say no due because of work, but it applies just as much at home. If you’re good at your job then you will be in demand – but if you half kill yourself trying to fit too much in then you’ll end up resenting your work, and there’s also a fair chance that you’ll end up being not so good at what you do because you’re cutting corners trying to fit everything in.

    I split my time between garden maintenance and working in my studio. For me this works best if I have a small number of regular gardening clients (and thus a regular income which I can budget around), and I can then take on one-off jobs if they come up and it fits in with my existing work.

    I’m not looking to take on any more regular clients at the moment, so no matter how tempting they sound I simply say no. I could fit more work in, but it would cut into my studio time, and that’s just not acceptable to me. Or I could fit the work in without sacrificing time in the studio but would end up with little leisure time. Also unacceptable. This goes back to the point about being realistic.

  5. Multitask. It sounds obvious, but you’d be surprised at how many people don’t make the most of their time. Most tasks have dead time, when you’re basically waiting for something to happen, so use that time. If I’m waiting for the kettle to boil then I’ll do something else while I’m waiting – if it’s just putting some dishes away then so be it, that’s one less thing to do later.

    When I go down to the studio in the morning it takes five minutes for the computer to boot up and for the light to get properly bright, so I go in and switch everything on and then go out to the garden and water some pots. If I’m going out to walk the dog I’ll take a bag of rubbish (or even just a couple of bottles for recycling) down with me. If I’m going from the sitting room to the kitchen then I pick up any mugs or glasses and take them through with me. This all sounds patently obvious to me (and possibly to you, too), but apparently not everyone does this. I do it on autopilot, if I’m getting up to do something then part of me thinks “ok, I’m going in that direction, is there anything I can take with me?” – no journey is wasted! It has to be said that this habit partly evolved through laziness…why make three separate trips upstairs when I can just make one?

    I multitask in other ways too, the main one being that I knit/crochet/embroider/blog while watching television. This allows me to get in some leisure craft time while still unwinding in front of a show, and also stops me falling asleep while watching.

  6. Scheduling. I don’t think this is the best word to describe this bit, but I couldn’t think of anything better. As I run two businesses, and I work for myself, it’s entirely up to me when I go to work. Over the past year or so I’ve tried to work week on/week off. Which means that I’ll see all my garden clients one week and then have the following week in the studio. Of course it doesn’t always work out quite like that (the wonderful British weather can play havoc!), but it does mean that I have breathing room and am still able to comfortably split my time between my two jobs.

    If I have appointments for non-work things then I’ll try and book them all for the same day, even if that means waiting a while, as it’s more efficient to write off a whole day than to give up two or three mornings/afternoons for separate appointments.

    On the domestic front I also tend to spend a whole morning or afternoon batch cooking things that I can freeze and then just stick in the oven as needed. It might sounds like a lot of time to spend cooking, but it takes pretty much the same amount of time to make a huge batch of pasta sauce (or a pie, or gumbo, etc.) as it does to make enough for one meal, so why not just make a few things at once and get it over and done with. I certainly enjoy meals a lot more when I can just put them in to heat up rather than having to slave over them after a busy day at work, and overall it saves me a lot of time.

I’m trying to think of other examples which might be helpful, but actually I’m struggling because the way you manage your own time is very personal. If you’re really struggling to think where you could save time then make a list (ha!) for a few days detailing what exactly it is you do. List everything, no matter how insignificant you think it is, then look back at the list at the end of the day and see if there are things you could have combined in order to free up time.

My life since November has been very different as we now have a dog, and thus my usual habits are having to be adjusted to accommodate his needs as well as mine. It’s working out well though, and we’re just about into a regular routine. I also had two months when it was almost impossible to do because major work was taking place in my house and half my things were in storage, but I just accepted that and thought of it as a two month hiatus. I spent a lot of that time thinking of ideas and planning projects for later this year (and when I did manage to get some work done in my studio I considered it a happy bonus!). If I had worried about getting lots done while the builders were here then I’d have driven myself mad with stress, but being realistic about it made the whole thing much easier.

So there you have it, my tips for coping when you’ve got too much on your plate. Not the most well-written thing I’ve ever produced, but I’ve really found it quite difficult to put onto paper that which I do on autopilot. I hope you’ll find it useful.

Thanks Emma! Let me know how to get on with these, I’m trying to embrace batch cooking (The aftermath of my Week 1 attempt being shown above – along with the pride of my heart, my chip paper spoon rest) and being realistic. If you have any other useful tips we’d love to have them in the comments!

Humade New Kintsugi Repair Kit Review

In which the artist ponders the nature of imperfection

Oh my dears, it’s been a staggeringly disorganised April.

Nothing too dreadful, but between chicken pox and a long-awaited holiday I didn’t get much of anything on my list finished.

We did have a perfectly spiffing time learning about dinosaurs (oh so many dinosaurs), hiding the afikomen (I was so successful that I just received an email from my dad asking where it was because he was worried about ants finding it before he did) and getting out of Dragon’s way so he and his grandparents could have popcorn parties (the fact that we happened to go to the cinema and ballet was entirely by the by, you understand) but my best laid plans of scheduling all my blog posts before I left didn’t really pan out.

So here’s the final installment of the Humade New Kintsugi Repair Kit experiment as well as a hope that May will be more organised. There’s an introduction to the concepts of kintsugi and wabi sabi here, and you can buy a kit of your own from Humade here.

Humade New Kintsugi Repair Kit Review

I like to consider myself good at directions – I read them, I absorb them and I sometimes choose to ignore them but I prefer to do so on an informed basis.

There were two sides of the instruction manual which came with the kit, one side were the technical specifications of the various glues and epoxies and the other was an illustrated guide to the process.

I skimmed the technical sides, mainly for information about clean up and safety warnings. Then I got my pot shards out and, with the illustrated side out for reference, I began.

For a while it all seemed to be going very well, I got a few large pieces together and I was just waiting for the ‘few minutes’ it took for them to set before I was going to get started on the next pieces. There was even time for the Lovely Young Man and sometime photographic assistant to take some photos of me at work.

Then it fell apart – rather literally. On further examination of the difficulties, it appears that by ‘a few minutes’ (lovely illustrated instructions) they meant ’20 minutes. Curing time 1 hour’ (technical specifications). Deep breath, change of plan from an afternoon’s diversion to a half an hour every day until it was finished or I threw it across the room.

Another of the directions that gave me problems turned out to be the very first one where it said to ‘add a tiny hint of goldpowder and mix well.’ Those of you with a scientific bent will appreciate that a hint is not an easily defined measurement, nor do the directions tell you why it is only to be a hint. I had considered several reasons – economic, ease of clean up, ensuring that the powder lasted the same length of time as the tube of epoxy and probably a few more. What I hadn’t considered was that the powder keeps the glue from setting, allowing your pieces to break apart after 25 minutes of patient holding.

By now, there was pretty much nothing left that could go wrong… well, except for the vial that contained the steel powder cross-threading every time you closed it, so that when you opened it again, large quantities of minute steel dust covered everything within a 100 metre radius, any excess drips of epoxy tended to remove the glaze on the pot when removed and that the imperfect elements of kintsugi were vastly outnumbering the beautiful and I was starting to wonder why we hadn’t  just superglued it together in the first place.

In the end, I don’t really know how I feel about the whole experience. I’m really disappointed in the process (and I’m a process artist so that really matters to me), I wish I’d practiced on something less precious before I started and since I haven’t had a chance to spend any time with the finished piece (flights to be caught and all that)  I’m swinging wildly between operator error and the instructions and materials being the main point of failure.

There’s a lesson in that somewhere about how life isn’t required to provide complete resolutions, but I’m not sure I’m ready to absorb it yet.

 

Shopping Small

I know I’m a little late to the party, but I’ve just got into eBay in a big way.

I’ve started an (unfashionable) brass trivet collection and I’m trying to pick up as many other bits and pieces that we need for the kitchen there as I can.

trivets

My brass polishing skills need a little (ahem) brushing up.

It’s not that my charity shop days are over, but if you have something specific in mind it can take years off the search!

Plus, I’m getting (even) more militant in my Shopping Small and even if I’m not able to get everything second hand at least I’m more likely to support a person than a corporation (eBay and PayPal excepted, of course).

butter dish

I definitely measured the old butter dish (in which the butter fits perfectly) before I bought this one, and no one was more surprised than I when this happened. But neither the Deco butter dish or the locally made butter are giving ground, so we’ll have to work around it.

Now if you’ll excuse me, I’m on the hunt for a spoon rest…

Someday Soon?

I’m about to start a Parisian-inspired piece, so I’ve been googling a lot of cherry blossoms.

Pinned from elleamberley.co.uk

 

It’s not helping my Spring-longing very much…

I think it’s time to step out of The Hovel and do some embroidery in the sunshine!

paint

I’ll just get these frames painted in, they’re a suitably Parisian shade of cream, croyez-vous?

Here We Are at Little Ox and Giveaway

The Here We Are show opened at Little Ox Gallery on Friday, 28th February and I thought you would like a little peek!

web here we are 1

Due to a technical hitch, my piece didn’t make up for the  opening, so I popped in on Saturday for a look around and a chance to take some photos.

web here we are 2

Derek, the owner of the gallery, said that he had expected about half of the people who had collected maps to bring back finished pieces, but in the end everyone who took a map made a piece!

Blue Plaques - 297 unremarkable lives by Misericordia 2014

There was a definite split between pieces that interacted directly with the map and those that were more obliquely connected. Overall, I prefer art with a meaning I can parse with the information I have to hand, so I was drawn to those which seemed the most map-y. I haven’t photographed everything or even all of my favourites, so if you’re nearby do pop in for a look!

Blue Plaques - 297 unremarkable lives by Misericordia 2014

My piece, ‘Blue Plaques – 297 unremarkable lives’ drew heavily on the Malcolm Bull’s Calderdale Companion; an amazing website which catalogues a vast quanitity of historical data from a variety of sources. I literally worked my way down one street and up the next, finding births, marriages, scandals, bankruptcies and murders along the way.

I traced the removals of families, businesses and schools and kept track of the number of people directly affected (as best I could guess if there wasn’t concrete information). The text mimics the Blue Plaques erected in London and other British cities to commemorate famous residents and their deeds. In a further nod to the industries of the area, 297 steel beads were stitched into the distance markings around the edge of the map. You can see more detailed photos of the work in progress in this post and this one.

maps

I have two unused maps which I’d like to send out into the world and see what you can create. If you’d like to have a chance to win one, leave me a comment with your very first idea about what you’d like to use them for (painting, origami, headgear, anything) and I’ll draw two winners at random on Monday 17th March. When you’ve finished your project (even if it bears no resemblance to what you originally thought you would do), I’d love to post a photo of it.

Good luck!

At Sixes and Sevens

I’m feeling a wee bit fuddled this week and I can’t seem to focus on anything much. Among other things, we have a flat-pack kitchen and appliances in boxes in our dining room in preparation for what I’m calling Takeaway Week.

little ox marathon

I spent the end of last week and the weekend desperately embroidering my piece for the ‘Here We Are’  show at Little Ox Gallery. It was a proper BBC costume drama box set, internet-free marathon with breaks only for the taking on and jettisoning of cups of tea and Pilates breaks in order to counteract chronic embroidery flexion*.

blue plaque detail 1

Monday morning I sprang out of bed (…ok, more like a slow motion tumble) and prepared to face the week getting organised for Saturday’s Morningside Maker’s Market. But the Pilates batphone rang and I raced off to teach an extra class.

blue plaque detail 2

My conscientious side said ‘Never mind, I can always write a blog post this evening.’ But the rest of my brain apparently over-ruled that in favour of reading a Victorian novel** cover-to-cover. (I try not to read, especially when I have other things to do – like brushing my teeth or sleeping).

blue plaque detail 3

But I’m back on track now (I’ve finished the book and resisted the temptation to start it again) so if you’re in Edinburgh I’d love to see you on Friday evening at the Little Ox Gallery in Candlemaker Row and Saturday at the Columcille Centre! All details in this handy calendar.

blue plaques

*neckache

**Oh dear, I’m slipping. I couldn’t work out what sparked my great urge to watch and read North and South. Until I wrote this post and realised that when embroidering the comings and goings in a Northern mill town you pretty much can’t read anything else.

So…what do you like to read?

As you may remember, Google Reader departed this  Earth 1 July, 2013, so like a teenager whose first proto-relationship has ended when someone leaves home, I set out to find a replacement.

reader

At the time I was unaware that this search would take me seven months and quite a bit of tears and swearing.

Because my love life has always been rather straightforward, I thought you’d like to hear the trials and tribulations of my feed reader dating adventures instead.

Feedly – First up was the one everyone said was made for me. Feedly is attractively presented (if a little more trendy than I might ordinarily go for), has great hair and even seemed to get on with my collection of blogs.

Soon, however, it became apparent that there might be some communication issues. Feedly expected me to memorise an obtuse collection of swipes, wipes and keyboard shortcuts in order to see everything in my reader. If I got things wrong, there would be a huffy ‘Are you sure?’ and then a slightly over-dramatic removal of all the unread posts. Sometimes these posts would reappear months later, but you just never knew.

I stayed longer than I should, I can see that now, but I really thought we could make it work.

Digg – Rather rugged in an ordinarily attractive sort of a way. Seemed friendly enough, tried to be interested in the things I was interested in, but lost interest about halfway through.

Insisted, rather oddly, that every date should start with a bunch of people I’d never heard of coming along and telling me about their lives, even if I specifically requested that I’d just like it to be about the two of us.

Newsvibe – Achingly hip and minimalist, perhaps with a touch of the Northern Quarter? The sort who would carry around a selection of gadgets with no visible means of operation and let you borrow them just to be able to point out how they ought to be used.

On the whole we got on well, but everything had to be just a little too elegant and complicated. For instance, in one astonishingly infuriating quirk the scroll button can only be revealed while the mouse is not hovering over the space soon to occupied by the scroll bar. A bit like Whack-a-Mole crossed with trying to get into a club so hip it doesn’t yet exist. It was never going to last.

Finally, and out of desperation, I tried the dreadfully named Bloglovin. To be honest, this one feels less like a date and more like saying ‘To Hell with romance, let’s just stay home and watch films and eat embarrassing amounts of popcorn.’

I’m not expected to be cool enough to understand symbols or swipes (the buttons have proper words on them), if I want to see some posts but I’m not feeling social enough to see them all, that’s ok. I can even let Bloglovin (…shudder) tell my mates about my new blog posts via Twitter.

Now that I’ve found a feed reader that I can just be friends with I have plenty more headspace for getting on with the important things of life, like worrying whether I’m supporting my local greengrocer and the Farmer’s Market equally, or composing stinging diatribes against whatever foolishness comes out of people in government on Radio 4.

If it all goes wrong, I promise I’ll tell you all about it while snivelling into a tub of chocolate ice cream.

Drip, Drip, Drip

I have trouble with large purchases, if you consider large to be above £20.

I can quite happily fritter away £100 in £5 and £10 increments – but to spend it all at once… I usually bottle it and walk away. (That explains the healthy cheese collection in the fridge and the rather woeful state of my wardrobe.)

Huit organic denim – made in Cardigan

For instance, I’ve had my eye on a (possibly the only ones manufactured in the world at the moment) pair of 100% cotton, non-stretch, vaguely fashionable jeans which are not made by children.

But they cost more than £20 (as well they should do), so I have patched and mended my one remaining pair of jeans until they are more patch than jean and the patches have holes.

Serendipitously, I read a blog post by John Willshire from smithery.co discussing not only the Hiut jeans I’ve had my eyes on but also the idea of allowing both the producer and consumer to benefit from a more gradual transfer of money and goods.

Sometimes I ponder similar ideas at craft fairs when I’m placed across from stalls selling things that can be impulse purchased. Would browsers who are interested in my work and say ‘I’ll keep you in mind when the baby comes.’ put down a deposit and pay in installments?

Photocraft do something similar for their online photography courses aimed at small businesses and the Arts Council England run Own Art, a scheme to allow people to purchase contemporary art (by living artists) interest-free over 10 months, so it must have some traction.

Staff of Life hand embroidery - Misericordia 2013

What do you think? Would you be more likely to commission a piece if you could pay a deposit at a craft fair and follow it up afterwards? What’s your impulse purchase limit?

Last Chance for Love(tokens)

Are you a Valentine’s Day person?

I really want to embrace it, but despite being in a relationship with the same person for the whole of my adult life, I find it a bit of a struggle.

Rose hand embroidery - Misericordia 2012

When I was at school, about five of us used to get together for Chinese food and one of those massive chocolate chip cookies you can get from kiosks in shopping centres.

Then I went to uni, met the Lovely Young Man and did Valentine’s Day student style – which was to say that we’d buy a bottle of wine that cost (slightly) more than £3, cook something that didn’t involve pasta and try not to talk about what deadlines we had coming up.

Sugar Pie from Sweet Nothings by Misericordia 2013

Now of course, instead of not going out because we’re skint, we don’t go out because we’ve got a Dragon. I suspect that we might revert to Chinese food and giant cookie this year (which sounds better and better the more I write about it. Look, here’s a recipe, we can do a bake-along).

Perhaps you’ve got the handle on this romantic thing, or maybe you’re a little bit at sea and want some ideas that don’t involve cheap lace or petrol station flowers…

I Love You hand embroidery - Misericordia 2013

All the pieces shown above are ready to go!

Or if you want to commission something special, why not something like this?

K & J Hand Embroidered mini canvases - Misericordia 2012

Mr & Mrs hand embroidery - Misericordia 2012

Your last date to commission a piece for your beloved is 27th January – this Monday!

50th Anniversary hand embroidery - Misericordia 2013

Click on the photos to be whisked off to great adventures (or more information).

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